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April 29, 2024
Bordas (How to Behave in a Crowd) sets her clever twist on the campus novel at the country’s first MFA program for stand-up comedy. Unfolding over a single December day at an unnamed university in Chicago, the narrative begins with a faculty department meeting and progresses to a student workshop. Everyone involved in the program is nervously anticipating the arrival of a controversial guest lecturer, recently disgraced comedy legend Manny Reinhardt. Dorothy, the only female faculty member, hopes to make a comeback in her comedy career, while her colleague Kruger dreams of quitting teaching and ascending to movie stardom. Among the students, Artie fears he’s “too good-looking to be funny,” while Jo is constantly on the lookout for Andy Kaufman, who she thinks is still alive. A subplot involving reports of an active shooter on campus feels unnecessary; more successful are Bordas’s explorations of what a stand-up routine requires of its writer and what, if anything, is off-limits, either because the subject is too offensive or because the material belongs to someone else. Occasional moments of broad comedy, like an embarrassing bathroom scene, spice up the observational humor incorporated throughout. It’s a knockout. Agent: Jackie Ko, Wylie Agency.
September 13, 2024
Offering a twist on novels set in MFA creative writing programs, Bordas (How To Behave in a Crowd) follows a group of students attending an MFA program for stand-up comedy in Chicago. Over the course of a single December day, the students and professors grapple with their craft, from debates about using personal stories to working with potentially offensive material. The central conflict is that a new visiting professor--Manny Reinhardt, a professional comedian who recently landed in hot water--is about to arrive. Narrator Megan Tusing takes listeners into the characters' psyches, which brim with anxiety, unrequited love, and musings on the meaning of humor. Though the meandering glimpses into the characters' minds and the small events that make up the day are intriguing, listeners seeking a plot-driven novel may be disappointed. Instead, Bordas urges the story toward philosophical dilemmas about writing, creating, and what it means to be funny. Tusing's narration is skillful, but it might not be enough to keep even the most diehard comedy lovers fully engaged. VERDICT Thoughtful and profound, but less funny than one might expect, this examination of the lives of comedy students may appeal to fans of Julius Taranto's How I Won a Nobel Prize.--Laura Stein
Copyright 2024 Library Journal, LLC Used with permission.
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