Mistress of Justice

August 3, 1992
A plethora of generally interesting asides make this lethargically paced mystery an easy, yet ultimately a somewhat frustrating read. As we follow the paralegal days and jazz-piano-playing nights of Ms. Taylor Lockwood, we glimpse the truth behind the dark-wood panels of the venerable law firm Hubbard, White & Willis. Taylor's initial assignment is to retrieve a stolen document that could cost the firm a case and an attractive young litigator his job. The theft proves to be merely a subtext as one ferocious partner pushes for a merger, two older partners firmly oppose it and the rest of the principal players scramble for position while sides are drawn up. Taylor finds coked-up associates with grievances, partners with financial problems, and granddaughters to raise, not to mention call girls. Offices (including her own lowly hole in the wall) are soon bugged, and after an interminable wait, murder makes its entrance. Edgar-nominated Deaver ( Manhattan Is My Beat ) whips up enough atmosphere for a whole series here: late-night music, copious jazz lore, performance-art interludes, man troubles aplenty--the plucky Taylor partakes of them all. She's a likely guide to both the legal and the late-night, but this expansive mystery doesn't have enough narrative gears to shift through. Author tour.