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November 29, 2021
Katsu (The Hunger) weaves myriad perspectives into a powerful historical horror novel centered on the internment of Japanese Americans during WWII. A Japanese meteorologist travels to a windswept island; a hesitant Oregonian minister worries he worships his wife more than God; a Japanese immigrant interred in Camp Minidoka fiercely defends her mixed-race daughter while not quite daring to hope for the return of her white husband from the Pacific Front; and a sharp Nebraska journalist is less interested in the married man she’s seeing than in the fireball that explodes over their trysting site. At first, these characters seem linked only by their eerie encounters with tiny, translucent spiders, an apparition in a kimono, and the remnants of what appear to be paper parachutes. It takes some time for deeper connections to come into view—pace is not a selling point here—but throughout, the meticulous and compassionate portraiture, placed against the backdrop of what evils humans do to one another, creates a horror that renders even the creepiest spiders merely decorative in comparison. Horror readers looking for sharp social commentary should snap this up. Agents: Richard Pine and Eliza Rothstein, InkWell Management.
September 1, 2022
Japanese folklore and American World War II history blend together in the latest twisty, horror novel from Katsu (Red Widow). It is 1944 and strange balloons are falling in the Midwestern United States. Reporter Fran Gurstwold and her editor see one, and she takes pieces of it home with her. Preacher Archie Mitchell takes his wife Elsie and some neighborhood children on a picnic; they see a balloon and all but Archie are burned to death in a horrendous explosion. Meiko Briggs and her daughter Aiko are in a concentration camp for those of Japanese descent in Idaho, where a strange disease Meiko calls "The Fervor" is running rampant. What do they all have in common besides balloons? Tiny translucent spiders and sightings of the mythical Japanese kitsune demon. Narrator Traci Kato-Kiriyama is expressive and paces events well. She is especially moving when expressing Meiko's sadness and pessimism about the United States. Louis Ozawa narrates very brief, intermittent chapters from the viewpoint of Meiko's father. VERDICT Katsu keeps the plot and questions moving in this intriguingly complicated horror story that offers many parallels to anti-Asian racism and violence in the U.S.--B. Allison Gray
Copyright 2022 Library Journal, LLC Used with permission.
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